Female genital mutilation thrives on authority over female bodies that has been challenged by a vibrant movement of audacious youth and seasoned authors in Diaspora and in many nations where excision prevails. In this lecture, I’ll discuss Linda Weil-Curiel’s screenplay Bintou in Paris (1994); Klaus Werner and Uschi Madeisky’s Sharifa’s Three Wishes: With the Kunama in Eritrea (2000); cineaste Ousmane Sembène’s Moolaadé (2004); Nick Hadikwa Mwaluko’s WAAFRIKA 123 (2016), likely the first anti-FGM fiction by a Kenyan transgender playwright, and Jeanie Kortum’s novel Stones (2017), the last two from UnCUT/VOICES Press. These works uncover a conservative demographic that fears disaster should the ’deeply anchored’ tradition be broken. What emerges as authorizing FGM is terror generated by deeply held beliefs amenable to change by innovative cultural narratives.
- ‘There’s One Humanity or There Isn’t’*: Kudos to UnCUT/VOICES’ author Sachiko Mitsumori for her pioneering study of Alice Walker’s novels in Japan
- Reminder: 17 October 2019: At Cornell University, Ithaca, NY, Tobe Levin on Fiction to End FGM
- At Cornell University, 17 October 2019: Tobe Levin on Fiction to End FGM
- On the UN International Commemorative Day for Charity, September 5: with gratitude to Bernard Kouchner and Pierre Foldes in Undoing FGM
- Deeply concerned about Kameel Ahmady